Often called the first garden suburb, Bedford Park
served as an exemplary development for the many garden villages and garden
suburbs that would follow after 1900.
The housing estate of Bedford Park was named after an
estate of the same name that lay adjacent to Acton Green Common just north of
Chiswick. The common is now a large expanse of grass bordered by trees that
hide the elevated railway that runs alongside on a bank. It is used as a public
park by residents. The whole housing estate was designed with streets focusing
on the green.
On the edge of the green some amenities were included
in the housing plans. There is a row of shops along what was once the edge of
the gardens of Bedford Park House (left) and another near the station. These
houses all feature Tudor revival architecture. Along the green several large
villas were built, as there was an intentional mix of building types.
Some houses were designed to emulate mansions, they
are in fact linked family houses.The outline of the roofs with the large
chimney stacks recall grand buildings. This was seen as especially fitting in
this suburban setting. Before the car the impression would have been rather
convincingly rural.
The estate was designed as a whole. So great attention
was paid to unifying details like the fences and gates that separated street
and garden space. Several types of fence were designed, but all share the
overall characteristic of a brick plinth with a white wooden fence on top.
Posts can be in wood or in brick. Some of the gates have an ornamental arch in
metal. As part of the conservation area status these fences are being restored
throughout the estate.
An example of some blocks in what is known as Queen
Anne Revival, a nineteenth century reiteration and reworking of the original
architecture from the Queen Anne period. The reign of Queen Anne coincided with
the baroque era although the architecture was more subdued than for instance
contemporary French examples. There is a connection with Dutch Classicism. This
is clear in these Queen Anne Revival blocks with shapely gable ends that
resemble Dutch Gables. Also note the eclectic combination with the large
chimney stacks and the white fence.
The architect Shaw, who was responsible for most of
the housing on this estate, is known for popularising Queen Anne Revival, but
is actually an eclectic architect who mixed various styles simply for overall
effect. This is clear in these houses with bicoloured faced in a combination of
white render and red brick, with protruding upper halves.
Some of the architecture was lees ornate and less
aimed at creating visual effect. These houses have brick facades with a
continuous decorative roof trim in white. Ground floor bay windows create
rhythm and add a vernacular flavour, especially in combination with the white
fences.
Although most of the housing was built as family
housing in two storeys on similar floor plans, some building know a greater
height. On the left a double-height building with apartments. The corner window
bay was extended into a tower-like feature. Other eclectic houses have a
New-England feel with square window bays topped by balconies with wooden
railings. These square bays may extend over one or two floors (right).
Shaw was well known for mixing Dutch Classicism with
Tudor Revival element, including hanging tiles and timber frame panels.
Examples of this Mock-Tudor style may be mixed with buildings in another style
creating great visual variation. The floor plans are often similar
however.
The timber frame panels were mostly used on the
elevation. The timber is often not structural and merely decorative, as the
architect tries to evoke a sense of times gone by and rural architecture. On
the left an example with timber frame panels that dominate the protruding
elevation and thus the whole facade. The brick support post is a nice detail.
The same rural reference can also result in buildings with a combination of
render and brick details that contrast a sense of lightness and heaviness
(shown on the right).
These blocks are not dissimilar to those of Merton Park as they use the same London stock brick. Here a contrasting upper section
that protrudes of a central bay window is dressed with hung tiles in red
creating contrast and a more rural effect. The planted streets -with an eclectic
mix of species- create the desired semi-rural feel that would inspire the
Garden City Movement.
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