Garden village 't Lansink is characterised by lightly
curved streets with houses set in private garden, mostly as semidetached dwellings
but sometimes in short terraces or fully detached. The streets never had
the narrow green verges with small trees
that are so distinctive in the English examples. Only the streets leading to
the central square had trees. Off course none of these early garden villages
make any provisions for the motorcar that often dominate the street nowadays.
Originally al the street were Macadam-roads.
The large sand pit was transformed into a spatial
quality by surrounding is by a narrow park-like public garden. The water was
-and still is- used for skating, boating and swimming. The large open space and
reflective surface of the water creates an enormous sense of space and ads to
the distinctive feel of the place.
Around the small lake large semidetached and detached
houses have been built. Together with a planted canal -a relic of a former
"watering", a drainage stream- this is the most representative
residential area within the garden village.
There is a mix of house types also in the
representative area, as both visual variation and social mixing were important
for the Stork family who commissioned the design. The former drainage channel,
called watering in Dutch, has been transformed into a formal tree-lined canal.
Towards the central square the buildings are set
closer together, mimicking the spatial layout of a true village. The buildings
were designed in a mix of styles, all referencing vernacular architecture. The
turret on the corner house isn't only a picturesque addition to the building, but
also serves as a spatial anchor in the design defining a line of sight from a
side street.
A covered walk along a row of shops on one side of the
central square is an expression of the intended central function of this space
by giving the building a more formal, non-residential expression. This is in
sharp contrast with the treatment of the residential building that are intended to express a rural, non-urban,
character (as shown on the right).
On the central square some rows of old oaks were
retained to give the space a sense of place and age. These trees once formed
the side of the farmyard of the Farm Het Lansink. Instead of the farm the Hotel
't Lansink (on the right) now stands here proudly on the corner of the C.T.
Storkplein (the central square).
Opposite the hotel building an Unwinesque solution for
the corner is implemented with a winged. asymmetrical ensemble of two shops (green
grocer and barber) on either side of a gate that gives access to a footpath.
The shops are no longer in use an have been changed into a family house.
Next to the hotel the former toddler school
(Kleuterschool) forms a suburban ensemble together with the head teacher's
house built onto it. This ensemble dominated this corner. The tower with clock
above the hotel entrance replaces the function of the village church.
The architecture is vary varied, with on the one hand
building inspired by vernacular Dutch examples of urban houses, like several
types with stepped gables as seen on the left. In other places the building are
of a more eclectic vernacular expression mixing both Dutch and German examples
(on the right). As Twenthe lies close to the German border these types wouldn't
be seen as unbefitting.
The smallest housing types for factory workers were
built in terraces of 4 dwellings. In keeping with the rural references of the
architecture the bedrooms are located under the roof. Here a Mansard roof is
used to provide more room and the dormers provide ample light and fresh air to
the bedrooms. The smallest workman's house always had a kitchen, living room
sitting room, cellar and a minimum of three bedrooms. Houses with the lowest
rent had a bath underneath the kitchen worktop. All other houses had a proper
-albeit often tiny- bathroom
English vernacular architecture was also an
inspiration for the building in Garden Village 't Lansink. These buildings
combine a brick ground floor with render higher on the facade. The buildings in
the "English Style" are characterised by high gable ends
perpendicular to the main roof and the use of bay windows.
This little close (woonhofje in Dutch) was also based
on English examples. The short terraces of whitewashed houses are grouped
around a communal garden. The window shutters and central well all add to the
intended village feel. This garden, together with the public gardens and front
gardens were designed by the famous landscape architects P. Wattez and L. Springer. All private front
gardens originally had a low fence on a brick base.
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