The village-like suburb of Bottrop at Welheim is a
good example of a garden village, although it was built as factory housing for
the neighbouring mine Vereinigte Welheim. Gartenstadt Welheim has been lovingly
restored and the post-war replacement buildings blend in well to the overall
ensemble that was created here between 1914 and 1923. There is a great sense of
place here!
The street Am Kämpchen (at the little field) is
typical for this garden village. The curved street is lined with terraced
housing in long blocks with a variable roof treatment. The block in the middle
is much simpler in execution and design, but stull retains the overall design
with rendered walls and red clay tiles on the roof: this is an example of a
post-war replacement block.
The Flöttestrasse is an old lane that connected the
hamlet of Welheim with the floating watermill (a Flötte Muhl) on the Boye
Brook. It has been completely incorporated into the garden village and this
leafy residential street is lined by large semidetached houses and short
terraced of row houses.
The Ulmenplatz (Elm Square) is one of the typical
“places” that feature heavily in Sitte-esque design. Here the place has been
designed as a garden square surrounded by asymmetrical long blocks of terraced
housing. The trees on the square are actually elm trees, a nice detail!
Each house was given a small glass awning above the
front door. The entrances are often grouped in pairs with the floor plan of
each dwelling mirrored. The original doors in green with the small window have
been restored or reinstated where they had been replaced as part of the
restoration in 1993. The houses are set back a little from the street with a
typical street profile with a narrow green verge planted with trees. The front
gardens are laid to grass and have no hedges or fences.
The streetscape is typical of a garden village. The
housing on the streets is a mix of semidetached houses and row housing in long
blocks. These terraces typically have protruding sections at the ends and
dormers that create a certain rhythm. In the middle of the picture a high grey
concrete structure can be seen from this street Streuwiese. This is the bunker
that stands on the central Mathias Stinnes Platz that was named after an
important coal shipping mogul.
The Apselstrasse is another typical street wth
vernacular architecture lining a long slightly curved street with a green verge
planted with trees on one side of the road. The corner plots often do have a
hedge (visible on the right) to provide more privacy for the residents.
The street Im Holzgrund show the typical treatment of
corners which are kept open. Angled blocks are seldom used in this garden
village. This supports the idea that it is more German than English in
character with a focus more on places and informal arrangement of blocks
combined with the symmetrical ensemble of asymmetrical buildings in an
overarching vernacular style.
That vernacular staple of half timbered panels are not
often used in this garden village. Here such non-structural detail is used to
differentiate blocks and create more visual variety using a limited number of
basic floorplans and designs. Here two blocks of up-down apartments that are
identical internally but differ greatly in external appearance. The low annex
with two coal sheds are part of the total design. In some blocks they connected
at a different point or are built detached from the main building.
These double villas on the Welheimer Strasse have been
connected by a low annex that again contains the coal sheds. The individual
houses are emphasised by the treatment of the roofs. These larger buildings are
situated on the edge of the garden village near the underpass of the railway
that gave access to the colliery site beyond.
The Lindenstrasse (Lime Street) is a clos-like narrow
street with a symmetrical layout of asymmetrical blocks of terraces housing at
either side. By creating a set-back in the middle of the street a place is
created. The lime trees would have been cut back regularly, but have now grown
very high. There are no true closes in this garden village. This staple of the
English garden city movement was less used in continental Europe for safety
concerns, as dead end streets were seen as undesirable.
The Hugo Stinnes Strasse (named after an industrialist,
who owned the United Welheim Mining company) was bayonetted with a small place
at the shift in street alignment. This is again typical for Sitte-esque urban
design. The houses are of a basis type similar to the rest of the garden
village, but feature many porches with rounded arches, a sand-coloured render
and a low plinth.
The dormers above the walls in sandy yellow render are
clad in wood shingles. The entrances are again paired. The arched entrance
porch reappears in other places. But only as a corner feature. The reuse of such
a feature gives the whole garden village a great sense of consistency of
design.
Im Sundern is one of the streets that feature a wide
expanse of grass as a linear green along the street. This creates space in the
street layout and also emphasises the anti-urban character of this Gartenstadt.
The trees follow the street and thus focus the view.
At the corner of the Gungstrasse and Im Gungfeld a
defacto entrance to the garden village was created by two angled blocks and
pushing the corners back to have a rounded green that connects to the linear
green along Im Gungfeld. This is one of the few places where angled blocks were
used.
On the other side of the Gungstrasse the Horstbruch (a
name indicating marshland with a thicket) shows replacement blocks on either
side of the street. A bomb destroyed the original terraced housing here; it was
replaced by apartments. Two original blocks can be seen at the entrance to the
street (at the back). These blocks are typical of the 1950s but blend in well.